Frank Wakefield

Musician · b. 1934 · Emory Gap, Tennessee · frankwakefield.com · Also a recording artist
Best known for Mandolin

Frank Wakefield was a Tennessee-born mandolinist widely credited with expanding bluegrass mandolin vocabulary beyond Bill Monroe — an idiosyncratic innovator whose long partnership with Red Allen, membership in the Greenbriar Boys, and Carnegie Hall and Boston Pops appearances bridged bluegrass and the urban folk revival.

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  • Born June 26, 1934 in Emory Gap, Tennessee; died April 26, 2024 in Saratoga Springs, New York at age 89.
  • Idiosyncratic mandolin innovator widely credited (including by David Grisman) with expanding bluegrass mandolin vocabulary beyond Bill Monroe; built his style around hard down-strokes, chromatic runs, and dissonant double-stops.
  • Long musical partnership with singer/guitarist Red Allen — first as Red Allen & Frank Wakefield with the Kentuckians (early 1960s) and on the influential 1964 Folkways LP "Bluegrass."
  • Composer of the bluegrass mandolin standard "New Camptown Races," first cut in his teens with Marvin Cobb's band; also wrote "Catnip" and "Jesus Loves His Mandolin Player."
  • Member of The Greenbriar Boys in the late 1960s alongside Eric Weissberg and John Herald, helping carry bluegrass into the urban folk-revival scene.
  • Performed at Carnegie Hall with the Kentuckians (1963), with Leonard Bernstein and the New York Philharmonic (1967), and with the Boston Pops (1968); toured with Jerry Garcia in the 1970s and opened shows for the Grateful Dead.
  • Nominated for a Grammy in 1999 for "Bluegrass Mandolin Extravaganza," a duet/ensemble album he organized with David Grisman, Sam Bush, Ronnie McCoury, Jesse McReynolds, Buck White, and others.
  • Famous for his eccentric stage patter, deliberately scrambled speech, and a self-styled mythology that endeared him to multiple generations of fans.

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