Ray Edenton

Musician · 1926–2022 · Mineral, Virginia
Best known for Guitar

Ray Edenton was the definitive rhythm guitarist of Nashville's fabled A-Team — the first-call session players who built the Nashville Sound from the 1950s through the 1980s. Over a career that spanned more than 10,000 sessions, his understated, metronomically precise acoustic rhythm guitar was the foundation of country, pop, and rock crossover hits across four decades. His playing on the Everly Brothers' “Bye Bye Love” and “Wake Up Little Susie,” Marty Robbins's “Singing the Blues,” Roger Miller's “King of the Road,” Patsy Cline's “Sweet Dreams,” and hundreds more classic recordings made him one of the most heard — yet least known — musicians in American popular music.

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  • Born Ray Quarles Edenton in Mineral, Virginia, into a musical family. Grandfather was a fiddler; two older brothers played. Started on banjo ukulele and was performing at local square dances with his brothers and cousins by age six.
  • Served in the U.S. Army during World War II. Following his 1946 discharge, played regionally with the Rodeo Rangers in Virginia.
  • Relocated to Richmond in 1948 to play upright bass with guitarist Joe Maphis's band the Korn Krackers on WRVA's Old Dominion Barn Dance radio show.
  • Moved to Knoxville in 1949 to work at WNOX. Sidelined by a 28-month tuberculosis hospital stay that nearly ended his career.
  • Moved to Nashville in 1952 on recovery. Joined the Grand Ole Opry staff as an acoustic guitarist.
  • First session in 1949 on Red Kirk's “Lovesick Blues” for Mercury. First major hit: Webb Pierce's “There Stands the Glass” (1953). Went on to play on 26 of Pierce's 27 chart-topping country singles.
  • Devised a percussive snare-drum effect using only his acoustic guitar — heard on Red Foley and Kitty Wells's 1954 hit “One by One” — a technique that became a Nashville session trademark during the era when many sessions didn't use a drummer.
  • Matched Don Everly's aggressive acoustic rhythm on “Bye Bye Love” (1957), “Wake Up Little Susie” (1957), and “Bird Dog.” Using his Gibson L-5 with a “high G” tuning (third string tuned an octave higher than standard — an idea picked up from Chet Atkins), the two-guitar interplay gave the Everly sound its distinctive propulsion.
  • Went full-time session work in 1961. Developed the “Nashville tuning” (the low four strings replaced with thinner strings tuned an octave higher), which created the airy, harp-like acoustic texture heard on countless country and pop records from the 1960s forward.
  • Devised the “chink” rhythm guitar style — three-note amplified electric chords played on the upbeats behind the snare drum — using a one-of-a-kind black Gretsch prototype Chet Atkins gave him, re-strung with lighter strings and custom Ray Butts pickups.
  • Session work reached 22 sessions in five days at its peak. Played on more than 50 Country Music Hall of Fame members' records. Appeared on records by Julie Andrews, the Beach Boys, Sammy Davis Jr., Elvis Presley, Johnny Cash, Leon Russell, Neil Young (Comes a Time, 1978), Rosemary Clooney, Roy Orbison, and dozens more — far beyond country music.
  • Co-wrote “You're Running Wild” with his brother-in-law Don Winters — a Top 10 country hit for the Louvin Brothers in 1956 (Edenton also played rhythm guitar on the recording).
  • Released one solo album, Ray Edenton Plays Uptown Country Music, featuring amplified flatpicking on original instrumentals.
  • Retired from session work in 1991 at age 65. Made occasional appearances in Nashville, including at the Country Music Hall of Fame's Nashville Cats series in 2007, where he was celebrated alongside other A-Team veterans.
  • Inducted into the Musicians Hall of Fame (with the A-Team) in 2007.
  • Widow Polly Roper Edenton was herself a SOURCE Hall of Fame honoree (2003) for her long career scheduling sessions at Columbia Studios.
  • Died at his son's home in Goodlettsville, Tennessee on September 21, 2022, at age 95 — among the last surviving A-Team players.

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